German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.  Related Paintings of Albert Bierstadt :. | Der Letzte Buffel | A Rustic Mill | Sunrise over Forest and Grove | Canoes | The Mountain Brook |
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Francesco Morone
Italian Painter, 1471-ca.1529 was an Italian painter, active in Verona in a Renaissance style. He was the son of the Veronese painter Domenico Morone. The art biographer Vasari praised his frescoes (1505-7) for the cupola of the sacristy in Santa Maria in Organo. He also painted the organ shutters in that church. Paolo Cavazzola was one of his pupils.
James Sant
(1820-1916) was a British painter specializing in portraits, and a member of the Royal Academy. Sant was born in Croydon and taught by John Varley and Augustus Wall Callcott. He lived to the age of 96 and produced an astonishing number of canvases for exhibition at the Academy, some 250 of them, from 1840 through 1904. He was elected to the RA in 1870, and in 1872 Sant was appointed Principal Painter in Ordinary (official portraitist) to Queen Victoria and the royal family. Sant resigned from the RA in 1914 to "make room for younger men." His work can be found at the Tate Gallery. His brother George Sant (1821 - 1877) was a landscape painter. His sister Sarah Sherwood Clarke (who married Frederick Clarke, Superintendent and later Secretary of the LWS Railway) was an artist of great talent, but all that remains of her work is a collection of 48 different views of Scotland from 1854; these were exhibited for the first time at the "Watercolours & Works on Paper Fair" in London in February 2010.
Francesco Zugno
Francesco Zugno (c. 1708-1787) was an Italian painter of the Rococo period. He was born in Brescia. Among his masterworks is a series of wall frescoes of figures in quadratura balconiesepart genre, part courtly conceit. He was strongly influenced by Giovanni Battista Tiepolo and his works.